Praised for her “clear and attractive tones” by the Boston Musical Intelligencer, mezzo-soprano Megan Callahan garnered praise for her portrayal as the Fox in The Cunning Little Vixen (2019) with the Boston University Opera Institute. Most recently, she prepared the role of Sesto in Mozart’s La Clemenza di Tito with BUOI and performed in the chorus of Norma with the Boston Lyric Opera just before the COVID-19 pandemic. She also performed the title role in Tobias Picker’s Dolores Claiborne (2019) as well as the role of Gertrude Stein in Tom Cipullo’s After Life (2018) with BUOI. Ms. Callahan will join the Bailey Apprentice Artist program of Palm Beach Opera in January 2021.
Other notable stage credits include Olga in Eugene Onegin (2018), Helen Prejean in Dead Man Walking (2017), Frau Reich in Die lustigen Weiber von Windsor (2017), and Presendia in Dark Sisters (2017) with the Boston Conservatory Opera. Additionally, she has performed the role of Muhly’s Wife and covered the role of Ma Joad in Ricky Ian Gordon’s The Grapes of Wrath (2017) with the Opera Theatre of Saint Louis. Ms. Callahan has also appeared as Marian Paroo in The Music Man (2016) and Mother Marie in Dialogues of the Carmelites (2016). Ms. Callahan has performed with BUOI, Boston Lyric Opera, Opera Theatre of Saint Louis, Boston Conservatory Opera, Seagle Music Colony, Charlottesville Opera, and American Opera Projects.
Ms. Callahan is a recent graduate of the BU Opera Institute where she studied with Penelope Bitzas. Ms. Callahan holds a M.M. in Opera Performance from the Boston Conservatory (2018) and a B.M. in Voice Performance from UNC Greensboro (2016). Megan is also an avid reader, classically trained pianist, and a passionate yogi.
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Binghamton, New York 13905
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We recognize the indigenous peoples whose land Tri-Cities Opera’s facilities were built on. This land has been sustainably stewarded throughout generations by Haudenosaunee and Algonkian speaking peoples. We honor and respect the enduring relationship that exists between these peoples and nations and this land.
Tri-Cities Opera is supported in part by an award from the National Endowment for the Arts. Productions are made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. General Operating Support is provided to Tri-Cities Opera by grants from the Conrad and Virginia Klee Foundation, the United Cultural Fund of the Broome County Arts Council, and the Community Foundation for South Central New York.