Alison King, born in Portland, Oregon was a recent studio artist at the prestigious Oper Frankfurt studio program. She is a graduate of the Yale Opera Studio and a student of Marilyn Horne. She sang on stage at the Metropolitan Opera as a National Semifinalist in the Metropolitan Opera National Council Auditions.
At 16 she debuted with the Oregon Symphony in their Young Artist Concert Series, and the Coeur D’Alene Symphony. Ms. King performed in the Kurt Moll master class at Carnegie Hall as part of The Song Continues master class series. She debuted with Carnegie Hall’s Neighborhood Recital series in collaboration with Carrie-Ann Matheson as part of the Marilyn Horne Legacy. She was a soloist in Dvořàk’s Stabat Mater under the baton of internationally known conductor Helmuth Rilling. King also performed the Mozart Requiem Mass with The Los Angeles Chamber Orchestra and a joint recital with special guest artist Susan Graham at Carnegie Hall as part of Marilyn Horne’s Song Celebration. Ms. King can be seen on MediciTV as a performer from Joyce DiDonato’s master classes at Carnegie Hall. Roles to name a few include Musetta (La bohème), Erste Dame (Die Zauberflöte), Inès (Il trovatore), Micaëla (Carmen), Anne Trulove (The Rake’s Progress), Giulietta (I Capuleti e i Montecchi). She had been an apprentice artist at The Glimmerglass Festival, Chautauqua Opera and Music Academy of the West.
Ms. King has won numerous competition awards from The Gerda Lissner Foundation, The Licia Albanese Puccini Competition, and Opera Birmingham among others. She was an international semi- finalist in the Elizabeth Connell Competition and performed in several concerts and master classes with Marilyn Horne and Martin Katz as part of the Song Continues: Paris Residency. Upcoming role debuts were scheduled to be the title role in Tosca, and Chrysothemis in Elektra but have been postponed due to the COVID-19 pandemic.
315 Clinton Street
Binghamton, New York 13905
Phone: (607) 729-3444
Box Office: (607) 772-0400
We recognize the indigenous peoples whose land Tri-Cities Opera’s facilities were built on. This land has been sustainably stewarded throughout generations by Haudenosaunee and Algonkian speaking peoples. We honor and respect the enduring relationship that exists between these peoples and nations and this land.
Tri-Cities Opera is supported in part by an award from the National Endowment for the Arts. Productions are made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. General Operating Support is provided to Tri-Cities Opera by grants from the Conrad and Virginia Klee Foundation, the United Cultural Fund of the Broome County Arts Council, and the Community Foundation for South Central New York.